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มูลนิธิละครชุมชน - One District One Theatre Group (ODOT)

Gabfai, founded in 1996 in Chiang Mai, uses community theatre to drive social change. Their work focuses on issues such as statelessness, human trafficking, and domestic violence. Gab Fai’s mission centers on three pillars: empowering youth through drama to express themselves and raise awareness of social issues; facilitating community campaigns to address these issues collectively; and advocating for policy changes at both community and national levels. Gabfai registered as a foundation under the name “Community Theatre Foundation” in 2025. With the “One District One Theatre Group” project, the foundation aims to popularize the use of drama in schools for youth development and build capacity among teachers so that they would be able to use drama to support education in the long run.

Impact Value Chain

Arrows mean “leads to” · bars show progress towards the target

Students (who attend drama performance) Direct beneficiary
Teachers Direct beneficiary
Students (who join basic drama training) Direct beneficiary
New team members of the foundation Direct beneficiary
Stakeholders
ActivityWhat we do
OutputWhat the activities deliver
OutcomeChange for the stakeholders
ImpactLong-term goals · across all groups
Watch drama performance which campaign on forest fire and smog issues and participate in activities and discussion before and after the performance Leads to: Students watch drama performance and participate in activities · Increase in interest in learning and participating in drama · Increase in awareness and understanding of forest fire and smog issues
Students watch drama performance and participate in activities No. of students attended Students · No baseline or target yet
Increase in awareness and understanding of forest fire and smog issues No indicator yet
Increase in interest in learning and participating in drama No indicator yet
Receive basic training to be teacher advisor and drama club manager Leads to: Teachers receive drama training · Acquisition of technical knowledge in organizing drama performance · Increase in knowledge on incorporating social issues into the development of drama performance
Teachers receive drama training No. of teachers trained Teachers · No baseline or target yet Leads to: Deliver drama performance · Drama being used as a means to communicate and raise awareness on social issues within school context · Increase in capability in training students and organizing drama performance · Set up of drama club with dedicated personnel/team to manage its activities
Acquisition of technical knowledge in organizing drama performance No indicator yet Leads to: Drama being used as a means to communicate and raise awareness on social issues within school context · Set up of drama club with dedicated personnel/team to manage its activities · Deliver drama performance · Increase in capability in training students and organizing drama performance
Increase in knowledge on incorporating social issues into the development of drama performance No indicator yet Leads to: Increase in capability in training students and organizing drama performance · Drama being used as a means to communicate and raise awareness on social issues within school context · Deliver drama performance · Set up of drama club with dedicated personnel/team to manage its activities
Increase in capability in training students and organizing drama performance No indicator yet Leads to: To popularize drama as a tool for self development and learning in relation to social problems among schools
Set up of drama club with dedicated personnel/team to manage its activities No. of drama club established No baseline or target yet
Drama being used as a means to communicate and raise awareness on social issues within school context No indicator yet
Receive basic drama training Leads to: Students receive basic drama training · Increase in drama knowledge · Increase in awareness and understanding of social issues* (* social issues selected for developing drama performance)
Students receive basic drama training No. of students trained Students · No baseline or target yet Leads to: Deliver drama performance · Increase in life skills, including leadership, teamwork coordination, creativity, empathy, etc.
Increase in drama knowledge No indicator yet Leads to: Deliver drama performance · Increase in life skills, including leadership, teamwork coordination, creativity, empathy, etc.
Increase in awareness and understanding of social issues* (* social issues selected for developing drama performance) No indicator yet Leads to: Increase in life skills, including leadership, teamwork coordination, creativity, empathy, etc. · Deliver drama performance
Deliver drama performance No. of drama performed No baseline or target yet
Increase in life skills, including leadership, teamwork coordination, creativity, empathy, etc. No indicator yet
Training on performing art, social issues and management skills Leads to: Increase in capability in supporting the foundation's work
Increase in capability in supporting the foundation's work No indicator yet Leads to: Secure employment within the foundation
Secure employment within the foundation No. of persons selected for probation No baseline or target yet
SDG 4 · Quality Education To popularize drama as a tool for self development and learning in relation to social problems among schools 4.7

About the project

Problem

Despite its powerful potential, drama remains an underutilized tool for developing children and youth, especially in both rural areas and big cities where opportunities are limited. Drama is more than just entertainment — it creates shared experiences that foster self-expression, empathy, creativity, teamwork, leadership, and awareness of social issues. When integrated into youth development, drama can bridge the gap between young people and their communities, supporting their growth into active, engaged citizens. The foundation thus sees the need to promote and expand the use of drama as a transformative learning and empowerment tool.

Solution

To promote the use of drama in schools, the “One District One Theatre Group” (ODOT) project will begin with a pilot performance on forest fires and smog, reaching 100–500 students across five schools in Muang and Mae Rim districts, Chiang Mai. This aims to spark interest and raise awareness among students and teachers. Following the pilot, three schools expressing interest in forming drama clubs will be selected to receive intensive training for both teachers and students, targeting 30 teachers and at least three student groups per school. By the end of the program, each drama club is expected to stage at least three performances and be equipped to use drama as an ongoing educational tool.

Image of มูลนิธิละครชุมชน - One District One Theatre Group (ODOT)
Budget
300,000.00 Baht

Impact Goals

SDG 4: Quality Education

SDG 4 · Quality Education

To popularize drama as a tool for self development and learning in relation to social problems among schools

  • 4.7 By 2030, ensure that all learners acquire the knowledge and skills needed to promote sustainable development, including, among others, through education for sustainable development and sustainable lifestyles, human rights, gender equality, promotion of a culture of peace and non-violence, global citizenship and appreciation of cultural diversity and of culture's contribution to sustainable development

Stakeholder

Students (who attend drama performance)

Direct beneficiary Importance: High

Description

100-500 elementary to high school students from 5 schools in pilot project area (Muang district and Mae Rim district). The students would watch the drama performance which campaign on forest fire and smog issues prepared by the foundation.

Problem / opportunity / challenge encountered by this stakeholder

Using drama to communicate social issues is still relatively new to the students

Teachers

Direct beneficiary Importance: High

Description

Teachers who are interested in starting drama club in their schools and being the advisor teacher and club manager

Students (who join basic drama training)

Direct beneficiary Importance: High

Description

3 groups of students per school. Students recruited based on their interest in drama. They are expected to produce 3 drama performances by the end of the training.

New team members of the foundation

Direct beneficiary Importance: Medium

Description

A new team of 5–10 actors will be developed through the drama performance on forest fire and smog. In addition to training in performing arts, they will gain knowledge on key social issues such as human rights, gender roles, children's rights, positive discipline, human trafficking, air pollution, and natural disasters. The training will also include organizational skills, covering areas such as project coordination, financial management, public relations, and social communication.

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